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CORY WEAVER/S.F. OPERAItalian soprano Anna Caterina Antonacci inhabited the anguish of a rejected lover in her superb performance of Poulenc Her expressive, rich-toned soprano sounded alternately urgent, seductive, charming and desperate, but was admirable for its restraint throughout; her Elle manages to illuminate the depths of her obsession without going over the top. CORY WEAVER/S.F. OPERA
Italian soprano Anna Caterina Antonacci inhabited the anguish of a rejected
lover in her superb performance of Poulencs La Voix Humaine for SF Opera
Lab. Originally scored for voice and orchestra, La Voix Humaine is presented here in Poulencs own piano version, played with precision and sensitivity by American pianist Donald Sulzen. The production is simple but effective. Antonacci, clad in chic Parisian nightwear, moved between a table and chair to a scattering of pillows on the floor, tethered to a bright orange phone throughout. A large black and white scene of Paris, seen through a rain-spattered window, served as backdrop, with supertitles projected in easy-to-read type alongside the image. Saturdays program, which repeats through March 17, began with selections from the French art song repertoire. Antonacci, making her first appearance in a form-fitting slate-grey gown, demonstrated her affinity for Berlioz in the composers La mort dOphelie. It was a hauntingly beautiful performance, and the soprano followed it with vivid traversals of Debussys Chansons de Bilitis and Poulencs La Fraicheur et le Feu. Sung with radiant sensuality and brilliantly accompanied by Sulzen, the heightened emotion of these works made an ideal introduction to the evenings main event. Introduced just over a year ago with a performance of Schuberts Winterreise sung by German baritone Matthias Goerne, SF Opera Lab has emerged one of the most exciting new developments on the Bay Area music scene. Now in its second season in the 299-seat Taube Atrium Theater, the series showcases vocal music in an intimate environment with exceptional sound quality.

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Hands on a keyboard US intelligence officials have accused the Kremlin of using cyber-attacks to influence the November election. But Foreign Secretary Boris Johnson said there was so far no evidence of successful attacks in the UK. National security threats In a letter to politicians, Ciaran Martin, chief executive of GCHQ's National Cyber Security Centre (NCSC), said: "You will be aware of the coverage of events in the United States, Germany and elsewhere reminding us of the potential for hostile action against the UK political system. "This is not just about the network security of political parties' own systems. Attacks against our democratic processes go beyond this and can include attacks on parliament, constituency offices, think tanks and pressure groups and individuals' email accounts." He said GCHQ would offer tailored seminars to help political parties understand the threats and reduce the risk of information being stolen. In February, Mr Martin warned that Britain had been targeted with 188 attempted high-level hacks in the previous three months, "many of which threatened national security". Chancellor Phillip Hammond, a former defence and foreign secretary, added that the NCSC had been blocking more than 200 attacks a day on government departments and the public over the last six months. 'Dirty tricks' A report by US intelligence officials concluded that Russian President Vladimir Putin ordered the hacking of the Democratic National Committee to influence the November election in favour of Donald Trump. Meanwhile Germany's domestic intelligence chief warned in December of "increasingly aggressive cyber-espionage" by a look at these guys hacking group believed to be controlled by the Russian state. Mr Johnson told ITV's Peston On Sunday: "We have no evidence that the Russians are actually involved in trying to undermine our democratic processes at the moment. We don't actually have that evidence.